What was advertised in a colonial American newspaper 250 years ago today?

“IF a certain E.V. does not immediately pay for his family picture, his name shall be published at full length in the next paper.”

A private scuffle over paying for a portrait became a public spectacle when Charles Willson Peale resorted to shaming Elie Vallette, author of the Deputy Commissary’s Guide, in a newspaper advertisement.  A notice in the September 8, 1774, edition of the Maryland Gazette advised that “IF a certain E.V. does not immediately pay for his family picture, his name shall be published at full length in the next paper.”  The painter, who signed his name as “CHARLES PEALE,” was near the beginning of his career, though he had already studied with Benjamin West in London for two years and then provided his services in Annapolis for a dozen more.  Still, at the time he sought the overdue payment, he was not yet the prominent figure, one of the most influential America painters and naturalists of his era, that he would become in the decades after the American Revolution.  He gained access to the power of celebrity later in his career, but at the moment he vied with Vallette he sought to leverage public shaming as the most effective tool available.

As Martha J. King notes, Peale “obtained a commission to paint a group portrait of the Vallette family and portrayed the author seated at a table with the engraved title page of the Deputy Commissary’s Guide clearly visible in the foreground.  [His] wife and two children clustered in the picture’s right.”[1]  Vallette had extensively advertised the Deputy Commissary’s Guide in the Maryland Gazette, gaining prominence for himself and his manual for settling estates and writing wills.  Commissioning a family portrait served to further enhance his status, yet the dispute that followed did not necessarily reflect well on Vallette.  On May 28, 1774, Peale sent a letter to Vallette to request payment, explaining that he needed to cover immediate expenses that included rent on the house where his family resided.[2]  The author did not heed that request.  Three months later, Peale decided to escalate his methods for collecting on the debt, placing the advertisement that gave Vallette’s initials and enough information that the author would recognize himself and perhaps enough that some readers could work out his identity, but not so much that readers in Annapolis and throughout the colony knew without a doubt that Peale addressed Vallette.  Was this strategy effective?  Next week the Adverts 250 Project will examine the subsequent issue of the Maryland Gazette to determine whether Peale had to further escalate his demand for payment.

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[1] Martha J. King, “The Printer and the Painter: Portraying Print Culture in an Age of Revolution,” Transactions of the American Philosophical Society 109, no. 5 (2021): 78.

[2] King, “Printer and the Painter,” 78.