What was advertised in a revolutionary American newspaper 250 years ago today?

“THE engagement between the Row-Gallies of this city, and the Roebuck and Liverpool English men of war.”
John Norman, an engraver from London, sold prints at his shop on Second Street in Philadelphia. He also gained acclaim as the publisher of American editions of architectural manuals for which he engraved the images, but it was the prints available at his shop that he advertised in the June 12, 1776, edition of the Pennsylvania Journal.
One print showed the “engagement between the Row-Gallies of this city, and the Roebuck and Liverpool English men of war.” It depicted a recent battle familiar to residents of Philadelphia and its hinterland. In March, the Roebuck and the Liverpool blockaded the mouth of the Delaware Bay, eliminating access to the Delaware River and Philadelphia. The American Revolution’s first battle on the Delaware River occurred on May 8 and 9 when the British frigates sailed up the river. Thirteen row galleys built by the Pennsylvania Committee of Safety in 1775 repulsed the Roebuck and the Liverpool, demonstrating that the smaller yet agile boats could hold their own against the warships in shallow waters. The outcome boosted the morale of Patriots in Philadelphia and beyond. Norman proclaimed that the print was “JUST PUBLISHED” and available for sale (for two shillings and six pence plain or for three shillings and nine pence “elegantly coloured”) less than five weeks after the battle. He likely did the engraving himself.
He did not, however, engrave “the Bostonians paying the excise-man, or taring and feathering” and many others from the “variety of elegant pictures” he sold. Instead, he imported most of those. The Bostonians Paying the Excise-Man, or Tarring & Feathering was one of five satirical prints engraved by Philip Dawe, printed by Robert Sayer and John Bennett, and sold in both England and the colonies. The series included The Alternative of Williams-Burg, The Bostonians in Distress, The Patriotick Barber of New York, of the Captain in the Suds, and A Society of Patriotic Ladies, at Edenton in North Carolina. Although some supporters of the American cause may have embraced these images, Dawe included details that critiqued or mocked their acts of resistance. The depictions of the women signing a nonimportation agreement in A Society of Patriotic Ladies, for instance, demeaned them as silly, stupid, or disturbingly masculine. An unattended child dumps a platter of food on the floor as a dog licks its face and urinates on a tea canister, suggesting that the women abandoned their appropriately feminine roles to participate in politics they did not understand. In Bostonians Paying the Excise-Man, five men dumping tea into the harbor can be seen in the background as Patriots force tea down the throat of John Malcom, a Loyalist tax collector, beneath the city’s Liberty Tree. A noose hangs from one branch, commenting on the brutality of the Patriots and their methods. Yet not all viewers necessarily agreed that the Patriots had gone too far. Some of Norman’s customers in Philadelphia may have appreciated that image of the Boston Tea Party and subsequent events, just as they celebrated the row galleys forcing the Roebuck and the Liverpool to retreat.



























