What was advertised in a colonial American newspaper 250 years ago today?

“Cloaths, after the newest and genteelest Taste, as is now worn in London.”

George Senneff adopted a marketing strategy commonly deployed by tailors and other artisans. To imbue his services with extra cachet, he included his origins in his introduction: “George Senneff, Taylor, from LONDON.” Colonists were preoccupied with the latest trends in England, especially London, when it came to both dress and adorning private and public spaces. They experienced anxiety that they might appear pretenders in provincial backwaters as they participated in transatlantic consumer culture that changed increasingly rapidly as the eighteenth century progressed. Tailors and others in the clothing trades, as well as hairdressers and cabinetmakers, offered reassurances that their goods and services were à la mode when they asserted their connections to the cosmopolitan center of the empire.

Many considered announcing that they were “from LONDON” sufficient for the purpose, but Senneff treated that merely as an opening salvo in his bid to win clients concerned about wearing the latest fashions and demonstrating their awareness of the most current trends. Not only was he “from LONDON,” Senneff proclaimed that he made men’s garments of “plain and lac’d Cloaths, after the newest and genteelest Taste, as is now worn in London.” He reiterated this claim when he described the riding habits he made for women: “after the newest Fashions now worn in London.” Senneff had his finger on the pulse of changing tastes in the metropole. In turn, his clients in New York would exhibit that insider’s knowledge in their attire as they attended to business and socialized in the colonial outpost.

Senneff’s decision to repeatedly state that his garments conformed to “the newest Fashions now worn in London” may not have merely reassured customers. Instead, such intensive focus on the latest styles in that faraway city could have stoked anxiety among local consumers. Repetitively invoking current tastes in London may have prompted some potential customers to dwell on this aspect of their own apparel, encouraging them to seek out Senneff’s services since he seemed to be in the know and could provide appropriate guidance in outfitting them “after the newest and genteelest Taste.” Senneff craftily induced such uneasiness and simultaneously offered his services as an especially effective way to experience relief. His notice was no mere announcement but rather a clever attempt to manipulate potential customers into visiting his shop.