What was advertised in a colonial American newspaper 250 years ago today?

“The Sign of the NEGRO BOY.”

The April 11, 1775, edition of the South-Carolina Gazette and Country Journal carried seventeen advertisements about enslaved people.  Several offered enslaved people for sale.  Jacob Valk, a broker who regularly advertised, noted that “NEGROES of different Qualifications” were “daily for SALE” at his office.  Valentine Lynn sought to sell “Seven healthy, stout NEGROES,” including “a good boatman,” a “handy” domestic servant, and five “field slaves.”  Robert Goudey announced that he “will dispose of, by private contract,” nearly three dozen enslaved people, “among whom are carpenters, coopers, wagon drivers, plough men, and house” maids.  Prospective purchasers could presumably examine those enslaved people, just as they could examine any of the eleven Black men and women “Brought to the Workhouse” and imprisoned there until their enslavers claimed them.

Other advertisements certainly enlisted readers in examining Black bodies closely to determine if they matched the descriptions of enslaved people who liberated themselves by running away from their enslavers.  William Stitt, for instance, asked readers to take note of any Black women they encountered who might be Lydia, “about 40 years of age, of a yellowish complexion.”  William Roberts described Tena, who “had on when she went away, a blue negro cloth gown, and osnaburgs apron.”

Yet these were not the only instances of Black bodies on display in Charleston.  In a notice asking others to settle accounts before he left the city for a while, John Welch, a tobacconist, advised his “Friends and Customers” that associates would conduct business “as usual” at his “SHOP in Union-street, the Sign of the NEGRO BOY.”  He may have chosen that emblem to represent the laborers who cultivated the tobacco he sold.  By the time Welch ran his advertisement in the spring of 1775 the sign that marked his shop was a familiar sight to those who traversed the streets of Charleston.  He referenced it in an advertisement the previous summer, so it had been in place for the better part of a year and probably longer, especially considering that he also referred to that location as his “old SHOP.”  Welch’s commercial enterprise appropriated the labor the enslaved men and women who raised the tobacco he sold, but that was not the extent of his use of Black bodies in earning his livelihood.  He also deployed an image of a Black boy as the emblem of his business and the device that confirmed customers arrived at the right location to purchase tobacco and snuff.