Print of John Hancock

November 30

Carl Robert Keyes Daily Advert Update , , , , , ,

What was advertised in a revolutionary American newspaper 250 years ago today?

New-York Journal (November 30, 1775).

“A neat Mezzotinto Print of the Hon. JOHN HANCOCK, Esq.”

Richard Sause, a cutler in New York, became a purveyor of patriotic memorabilia during the Revolutionary War.  In October 1775, he advertised “ROMAN’s MAP OF BOSTON,” billing it as “one of the most correct that has ever been published.”  He described the cartographer, Bernard Romans, as “the most skilful Draughtsman in all America,” noting that he earned credibility because he “was on the spot at the engagements of Lexington and Bunker’s-Hill.”  Nicholas Brooks, a shopkeeper who specialized in prints, and Romans collaborated on the project in Philadelphia.  Sause acted as a local agent for marketing and distributing the map in New York.

That was not the only item commemorating current events that Sause advertised and sold.  At the end of November 1775, he took to the pages of the New-York Journal once again, informing the public that he sold a “neat Mezzotinto Print of the Hon. JOHN HANCOCK, Esq.”  The print depicting the merchant from Boston who served as president of the Second Continental Congress was another one of Brooks’s projects.  In addition, Sause also stocked “a view of the BATTLE at Charlestown” and “an accurate Map of the Present Seat of Civil War, taken by an able Draftsman.”  Sause seemingly worked closely with Brooks in acquiring the various prints and marketing them to patriots in New York, perhaps even providing him with advertising copy to adapt for his own notices.  The prints that Sause offered for sale appeared in the same order in his advertisement in the New-York Journal that they did in Brooks’s advertisement in Pennsylvania Journal.  Brooks may have sent a clipping along with the prints that he dispatched to the cutler in New York.

Although Sause had established himself as a cutler who also sold hardware and jewelry in a series of advertisements in New York’s newspapers, his activities in the marketplace in 1775 emphasized his commitment to the American cause.  Before he began selling prints, he promoted “SMALL SWORDS” to gentlemen who anticipated participating in the defense of their liberties and their city.  Even though he continued to advertise an “assortment of Jewellery, Cutlery, Hardware, and Haberdashery,” he made items related to the conflict with Parliament and British troops quartered in the colonies the focal point of his advertisements.

November 1

Carl Robert Keyes Daily Advert Update , , , , , , , , , ,

What was advertised in a revolutionary American newspaper 250 years ago today?

Pennsylvania Journal (November 1, 1775).

“A NEAT Mezzotinto print of the Hon. JOHN HANCOCK.”

“A large and exact VIEW of the late BATTLE at CHARLESTOWN.”

“An accurate map of the present seat of CIVIL WAR.”

Nicholas Brooks produced and marketed items that commemorated the American Revolution before the colonies declared independence.  In an advertisement in the November 1, 1775, edition of the Pennsylvania Journal, for instance, he packaged together three prints previously advertised separately, each of them related to imperial crisis that had boiled over into a war.  For this notice, Brooks presented them as a collection of prints for consumers who wished to demonstrate their support for the American cause by purchasing and displaying one or more of them.

Brooks announced that a “NEAT Mezzotinto print of the Hon JOHN HANCOCK, Esquire, President of the CONTINENTAL CONGRESS,” that had previously been proposed in other advertisements had been published and was now for sale at his shop on Second Street in Philadelphia.  The subscribers who had reserved copies in advance could pick up their framed copies or arrange for delivery.  Others who had not placed advanced orders could acquire the print for three shillings and nine pence or pay two extra shillings for one “elegantly coloured.”

“Likewise, may be had at the above place,” Brooks reported, “a large and exact VIEW of the late BATTLE at CHARLESTOWN,” depicting what has become known as the Battle of Bunker Hill.  This print competed with an imitation bearing a similar title, “a neat and correct VIEW of the late BATTLE at CHARLESTOWN,” that Robert Aitken inserted in the Pennsylvania Magazine and sold separately.  Brooks, who had long experience selling framed prints, offered choices for his “exact VIEW.”  Customers could opt for an “elegantly coloured” version for seven shillings and six pence” or have it “put in a double carved and gilt frame, with glass 20 by 16 inches,” for eighteen shillings and six pence.  The eleven shillings for the frame, half again the cost of the print, indicated that Brooks anticipated that customers would display the “exact VIEW” proudly in their homes or offices.

He also promoted “an accurate map of the present seat of CIVIL WAR, taken by an able Draughtsman,” Bernard Romans, “who was on the spot of the late engagement.”  Brooks revised copy from earlier advertisements: “The draught was taken by the most skillful draughtsman in all America, and who was on the spot at the engagements of Lexington and Bunker’s Hill.”  The map showed a portion of New England that included Boston, Salem, Providence, and Worcester.   This print, he declared, was a “new impression, with useful additions,” though he did not specify how it differed from the one he previously marketed and sold.  As with the others, customers had a choice of a plain version for five shillings or a “coloured” one for six shillings and six pence.

Brooks added one more item, “a humorous and instructive print, entitled the COMET of 1774, done by a Gentleman in New-York.”  Did this print offer some sort of satirical commentary on current events?  Or was it unrelated to the prints of Hancock, the Battle of Bunker Hill, and the “CIVIL WAR” in New England?  Whatever the additional print depicted, Brooks made the prints that commemorated the American Revolution the focus of his advertisement, gathering together three items previously promoted individually.  In so doing, he not only offered each print to customers as separate purchases but also suggested that they could consider them part of a collection.  Consumers who really wanted to demonstrate their patriotism could easily acquire all three at his shop.

October 4

Carl Robert Keyes Daily Advert Update , , , , , , ,

What was advertised in a revolutionary American newspaper 250 years ago today?

Pennsylvania Journal (October 4, 1775).

“A NEAT MEZZOTINTO PRINT of the HON. JOHN HANCOKC, ESQ; PRESIDENT of the CONTINENTAL CONGRESS.”

On October 4, 1775, Nicholas Brooks took to the pages of the Pennsylvania Journal to announce that he “JUST PUBLISHED … An Exact VIEW of the Late BATTLE at CHARLESTOWN,” now known as the Battle of Bunker Hill.  Brooks had previously distributed subscription proposals for the project that he pursued in collaboration with Bernard Romans.  Brooks and Romans had recently worked together on a map of Boston that depicted the siege of the city following the battles at Lexington and Concord.  Brooks described the new print now ready for purchase as a “Large Elegant PIECE, beautifully Coloured, and much superior to any pirated copy now offered or offering to the public.” Apparently, Brooks had not worked with Robert Aitken in making a version to accompany the Pennsylvania Magazine.  It was not the first time that one colonizer pirated the work of another when producing items that commemorated the imperial crisis that eventually became a war for independence.  Paul Revere had done the same with Henry Pelham’s image of the Boston Massacre, advertising his copy in Boston’s newspapers before Pelham marketed the original.

Despite his frustration with the situation, Brooks must have considered prints commemorating the people and events related to the current crisis viable business ventures.  Immediately below his advertisement for “An Exact View of the Late BATTLE at CHARLESTOWN,” he inserted another advertisement, that one proclaiming, “It is PROPOSED to PRINT, in about ten days, A NEAT MEZZOTINTO PRINT of the HON. JOHN HANCOCK, ESQ; PRESIDENT of the CONTINENTAL CONGRESS.”  Brooks collected subscribers’ names and reserved copies of the print for them at his shop on Second Street in Philadelphia.  Interested parties could also visit the London Coffee House, a popular spot for socializing, conducting business, and talking politics.  Brooks’s advertisement did not give details about what to do at the London Coffee House.  Subscribers may have given their names to an employee who recorded them on a list or they may have signed their own names (and indicated the number of copies they wished to purchase) on a subscription proposal posted alongside other advertisements.  They very well may have perused the names of other patriots who ordered the print as they committed to acquiring their own copy.  Brooks hoped that they would also purchase “Frames and Glasses” to display the prints from his shop, just as he marketed a “Double Carv’d and Gilt Frame … with Crown Glass” for the print depicting the battle.  Brooks certainly wanted commemorative items to become fashionable items that consumers believed that they not only wanted but needed as the imperial crisis intensified.