What was advertised in a colonial American newspaper 250 years ago today?

“THE American Edition of Swan’s British Architect.”

Less than a year after arriving in Philadelphia from London, John Norman, an engraver, embarked on producing an “American Edition of Swan’s British Architect” in the spring of 1775.  He unveiled the project with an advertisement in the March 1 edition of the Pennsylvania Journal, advising the public that he was “Now PUBLISHING” the volume “by SUBSCRIPTION” and seeking supporters to reserve their copies.  He asked those who did so to make a deposit and pay the remainder “at the delivery of the book,” noting that the total price “is Ten Shillings less than the London edition.”

The Continental Association, a nonimportation, nonconsumption, and nonexportation agreement devised by the First Continental Congress in response to the Coercive Acts, was in effect at the time that Norman advertised his American edition of Swan’s British Architect.  His project adhered to the eighth article, which called for “promot[ing] Agriculture, Arts, and the Manufacturers of this Country,” while the subject matter, all sorts of architectural elements in fashion in England, suggested that colonizers continued to value transatlantic cultural ties and their identity as members of the British empire.  The dispute with Parliament had intensified, but most still hoped for a redress of grievances and return to amiable relations.

In addition to the newspaper advertisement, Norman printed more extensive “proposals, with a specimen of the plates and letter press,” that interested parties could view at his house.  Prospective subscribers could learn more about the project and assess the quality of the engravings before placing their orders.  To further entice them, Norman declared that the “names of the subscribers to this useful and ornamental work will be published.”  Just as disseminating subscription proposals was a common marketing strategy in eighteenth-century America, so was publishing the list of subscribers.  In other circumstances, the “gentlemen” who subscribed wanted to see their names alongside those of other genteel members of their community.  That was still the case for this book, yet they likely also wished to see their names in print as they for supporting for an American edition.  Norman offered an opportunity to simultaneously demonstrate their commitment to both the arts and the Continental Association.