Amos Doolittle

May 6

Carl Robert Keyes Daily Advert Update , , , , , , , , ,

What was advertised in a revolutionary American newspaper 250 years ago today?

Norwich Packet (May 6, 1776).

“FOUR different Views of the Battles of Lexington, Concord, &c. on the 19th  of April, 1775.”

With the war now in its second year, Joseph Carpenter, a goldsmith and jeweler, marketed a series of commemorative prints depicting the battles of Lexington and Concord that he sold at his shop “Near the Court-House” in Norwich, Connecticut.  Even though he stated that these “FOUR different Views” had “Just come to Hand,” other retailers had made them available months earlier.  In fact, his advertisement in the May 6, 1776, edition of the Norwich Packet replicated large portions of the James Lockwood’s advertisement in the December 13, 1775, edition of the Connecticut Journal.

In addition to the description of the series of prints matching, the titles that Carpenter listed for the prints reflected Lockwood’s advertisement rather than the titles engraved at the top of each of them.  Plate I was called “The Battle of Lexington” on both the print and in the advertisement, but Plate II was simply called “A View of the Town of Concord” on the print.  In both advertisements, however, it had a more elaborate title, “A View of the Town of Concord, with the Ministerial Troops destroying the Stores.”  The title engraved on Plate III named it “The Engagement at the North Bridge in Concord,” yet the advertisements called it “The Battle at the North-Bridge in Concord.”  Finally, the tile on Plate IV declared that it presented a “View of the South Part of Lexington,” yet the advertisements said that it show “The south Part of Lexington, where the first Detachment were joined by Lord Percy.

Both advertisements informed prospective customers that “[t]he above four Plates were neatly engraved on Copper, from original Paintings take on the Spot.”  Amos Doolittle engraved the images based on painting by Ralph Earl.  How Carpenter acquired them, he did not say, only that they had “Just come to Hand.”  When they did, it appears that whoever supplied them to the goldsmith and jeweler in Norwich also sent an advertisement clipped from a newspaper printed in New Haven or a letter that copied the notice in the Connecticut Journal.  Lockwood’s original advertisement circulated in unintended ways before being disseminated in print once again for the benefit of another purveyor of the commemorative prints in another newspaper.  Carpenter did not generate his own copy when he marketed the “FOUR different Views of the Battles of Lexington, Concord, &c. on the 19th  of April, 1775,” but instead relied on an advertisement originally published months earlier.

December 13

Carl Robert Keyes Daily Advert Update , , , , , , , , ,

What was advertised in a revolutionary American newspaper 250 years ago today?

Connecticut Journal (December 13, 1775).

“FOUR different Views of the BATTLES of LEXINGTON, [and] CONCORD.”

The marketing of memorabilia that commemorated events associated with the American Revolution began before the Second Continental Congress declared independence.  Shortly after the Boston Massacre, for instance, Paul Revere, Henry Pelham, and others produced and advertised images depicting the “BLOODY MASSACRE perpetrated in King-Street.”  Revere also marketed a “Copper-Plate PRINT, containing a View of Part of the Town of Boston in New-England, and British Ships of War landing their Troops in the Year 1768.”  As the imperial crisis intensified, Charles Reak and Samuel Okey advertised a print depicting “that truly staunch Patriot, the Hon. SAMUEL ADAMS, of Boston.”  The production of commemorative items accelerated following the battles at Lexington and Concord in April 1775 and the Battle of Bunker Hill in June 1775.

In December 1775, James Lockwood advertised “FOUR different Views of the BATTLES of LEXINGTON, CONCORD, &c. on the 19th of April, 1775.”  He provided a short description of each: “The Battle at Lexington,” “A View of the Town of Concord with the Ministerial Troops destroying the Stores,” “The Battle at the North Bridge in Concord,” and “The South Part of Lexington where the first Detachment were join’d by Lord Percy.”  Lockwood promoted both the quality and accuracy of the prints, noting that the “Four Plates are neatly engraved on Copper, from original Paintings taken on the Spot.”  He almost certainly stocked and sold a series of prints engraved by Amos Doolittle based on paintings by Ralph Earl.  Although Lockwood may have sold the prints separately on request, he promoted them as a package, charging six shillings for as set of “the plain ones” or eight shillings for “coloured” prints.  This collection of prints supplemented news coverage of the battles, helping educate colonizers about recent events, yet many consumers may have desired them as symbols of their patriotism and support of the American cause to display in their homes and offices.  During the first year of the Revolutionary War, the marketing of images that celebrated Americans who defended their towns and their liberties likely encouraged some colonizers to imagine declaring independence rather than merely seeking a redress of grievances.