What was advertised in a colonial American newspaper 250 years ago today?

“A Great Variety of {IRISH Linens, printed Linen …} of all Widths and Prices.”
When Wakefield, a merchant who went solely by his last name in the public prints, placed an advertisement in the June 2, 1772, edition of the South-Carolina Gazette and Country Journal he relied on design elements to draw attention. Like many other advertisers, he demonstrated the choices available to consumers by providing a list, but he did not resort to a dense paragraph of text (the format selected by Edwards, Fisher, and Company) or side-by-side columns with only one item on each line (the option favored by Daniel Hall and Stephen Smith). Instead, he clustered his goods together in the center of the advertisement with decorative brackets pointing to descriptions on either side.
For instance, Wakefield listed “IRISH Linens, printed Linen, Chintz, Calicoes, Cotton, Diaper, Huckaback, Lawns, Cambricks, &c. &c.” That list extended five lines, occupying the center third of the column. Brackets enclosed the list on both sides. An introductory phrase ran on the left, “A great Variety of,” to let readers know that Wakefield stocked an even more extensive inventory of those textiles. To underscore the point, the phrase to the right promised “all Widths and Prices.” Similarly, a shorter list of other fabrics extended three lines with brackets enclosing both sides. Commentary to the left indicated that Wakefield had “An Assortment of” those items. The rest of the advertisement reverted to standard paragraphs, but the unique format for the lists of textiles created enough visual interest that readers likely took note.
Creating this advertisement required some level of collaboration with the compositor. When he submitted the copy, Wakefield may have arranged the lists as he intended for them to appear, but the compositor was ultimately responsible for setting type in a manner that honored any instructions or requests. For instance, Wakefield probably did not devise a line break that divided “Calicoes” between two lines. Instead, a compositor would have relied on experience and experimentation in determining the final appearance of the advertisement. No matter how closely he worked with the compositor, Wakefield likely took greater interest in designing a distinctive advertisement than Edwards, Fisher, and Company or Hall and Smith or any other advertisers whose notices featured standard formats.