December 17

What was advertised in a colonial American newspaper 250 years ago today?

New-York Gazette and Weekly Mercury (December 17, 1770).

“Beds and window curtains in the newest taste, as practised in London.”

An array of merchants and shopkeepers placed advertisements for imported goods in the December 17, 1770, edition of the New-York Gazette and Weekly Mercury.  For instance, John Schuyler, Jr., announced that he “just imported in the last vessels from London and Bristol, a neat assortment of goods.”  Many of them asserted that their new inventory reflected current fashions in England.  Artisans who offered their services to colonial consumers made similar appeals in their advertisements.

George Richey, who described himself as an “UPHOLSTERER and TENT-MAKER,” did so.  He informed “ladies and gentlemen that will favour him with their custom” that he “MAKES all sorts of upholstery work in the newest fashions” for beds, chairs, couches, and other furniture.  He also made curtains for both windows and beds, stressing that his wares followed “the newest taste, as practised in London.”

Richey and others who advertised consumer goods and services in the 1760s and 1770s frequently assured prospective customers that they provided products that matched current fashions in London, the cosmopolitan center of the empire.  Such appeals tapered off when nonimportation agreements went into effect, but they were quite common at other times.  Even as colonists sparred with Parliament over increased regulation of commerce, collecting duties on certain imported goods, quartering soldiers in port cities, and other matters, they continued to look to London for the latest fashions.

Newspaper advertisements published throughout the colonies made overtures concerning current trends and tastes in London, but such appeals most often appeared in advertisements placed by merchants, shopkeepers, and artisans in the largest port cities.  Residents of Boston, Charleston, New York, and Philadelphia experienced urban life, though on a much smaller scale than their counterparts in London.  Still, advertisers sought to assure potential clients and customers that they could acquire the same goods and, in the process, embody the same sophistication even though they lived on the other side of the Atlantic.  Richey the upholsterer joined a chorus of advertisers who invoked “newest fashions” and “newest taste, as practised in London.”

November 29

What was advertised in a colonial American newspaper 250 years ago today?

Pennsylvania Gazette (November 29, 1770).

“He may take the LIBERTY of craving the continuance of their favours.”

John Mason, an upholsterer who ran a shop at the Sign of the Crown and Cushion in Philadelphia, had a habit of injecting politics into the newspaper advertisements he placed in the late 1760s and early 1770s.  He often emphasized the words “LIBERTY” and “PROPERTY” in notices offering his services to consumers.  For instance, in an advertisement in the August 7, 1769, edition of the Pennsylvania Chronicle, he requested “LIBERTY to inform his friends and customers that he has removed his PROPERTY” to a new location.  He then provided a short history of mattresses to argue that those he stuffed with wool were superior to others stuffed with straw or feathers, but after that bit of frivolity he concluded with a jeremiad about Parliament imposing duties on certain imported goods.  He proclaimed that “Liberty is the Common Cry” due to the Townshend Acts that would “Deprive [colonists] of our Liberty and property.”  Nearly a year later, he placed an advertisement for paper hangings “(not lately imported),” mattresses, and trimmings in the July 19, 1770, edition of the Pennsylvania Journal.  He concluded with a poem that decried New York for abandoning liberty by discontinuing the nonimportation agreement before Parliament repealed all of the duties on imported goods.

A few months later, Mason placed a new advertisement in the November 29, 1770, edition of the Pennsylvania Gazette.  He once again accentuated the words “LIBERTY” and “PROPERTY,” though this time he did not include more extensive commentary about the current political climate in Pennsylvania and the rest of the colonies.  In this instance, he declared that he “presumes he may take the LIBERTY of craving the continuance” of the “favours” of his “friends and customers in general” in his efforts “dispose of his PROPERTY.”  Along with “FURNITURE CHECKS,” the words “LIBERTY” and “PROPERTY” were the only words in all capitals in the body of Mason’s advertisements.  Accordingly, they likely attracted attention, priming readers to think about current events as they perused Mason’s notice, especially those already familiar with the outspoken upholsterer’s politics.

At the conclusion of his notice, Mason testified that “it is the distinguishing character of noble and generous minds to employ the industrious.”  He then pledged “his utmost endeavours to give general satisfaction.”  Although not as explicitly political as the short sermons in some of his earlier advertisements, Mason may have intended for that statement to resonate with conversations about encouraging domestic manufactures as alternatives to imported goods.  He suggested that his prospective customers had both an obligation and an opportunity; they had an obligation to support “industrious” colonists and an opportunity to demonstrate their “distinguishing character” and “noble and generous minds” by doing so.  Given the contents of the rest of the newspaper as well as the pattern the upholsterer established in his marketing, readers likely recognized Mason’s message in this advertisement even without a more elaborate lecture about politics.

July 19

What was advertised in a colonial American newspaper 250 years ago today?

Jul 19 - 7:19:1770 Pennsylvania Journal
Pennsylvania Journal (July 19, 1770).

“Ah—Liberty!  …. An empty sound alone remains of thee.”

John Mason, an upholsterer, did not merely seek to sell paper hangings (or wallpaper) and bedding materials when he placed an advertisement in the Pennsylvania Journal in the summer of 1770.  His entire advertisement was a short sermon about the current political crisis and the fate of the nonimportation agreement adopted by the merchants of Philadelphia in response to the duties imposed on certain imported goods by the Townshend Acts.  All of those duties had been recently repealed, with the exception of the duty on tea, prompting merchants in New York to bring an end to their nonimportation agreement and begin trading with English merchants once again.  Residents of other cities and towns debated whether they would continue their own boycotts.  The nonimportation agreement in Philadelphia was on the verge of collapse.  It came to an end on September 20.

Mason apparently did not agree with the direction he saw the merchants and traders in his city heading.  He used his advertisement to encourage the continuation of the nonimportation agreement as well as condemn the merchants in New York for so hastily resuming trade as soon as they heard about the repeal of most of the duties.  The nonimportation agreements were intended to stay in effect until Parliament repealed all the duties, yet the duties on tea remained.

Mason began his advertisement with a play on words, stating that he “STILL prays for liberty to inform the public, that he would be glad to dispose of his property.”  He implied that all liberty was at stake, not just his ability to hawk goods in the marketplace.  He deployed the same turn of phrase in another advertisement that doubled as a political lecture a year earlier.  In his new epistle, he informed prospective customers that he sold papers hangings “not lately imported,” making clear that he continued to abide by the nonimportation agreement, as well as variety of bedding materials that he presumably made in his upholstery shop.  “The utility of these beds,” he proclaimed, “is not duly attended to, as they say, by sleeping on them.”  If the purpose of beds was not for sleeping then what was it?  Mason believed his bedding materials served a more important purpose as symbols of American liberty.  Consumers should purchase them to demonstrate their own commitment to the cause, especially during “this crisis, when our Liberty is tottering, like our Neighbour’s Resolutions*.”  Just in case readers missed his meaning, an asterisk confirmed that he critiqued recent actions in “*NEW YORK.:”

To underscore his point, he inserted a short poem for the edification of both merchants and consumers in Philadelphia:

Ah—Liberty!  How loved, how valued once, avail thee not
To whom retail’d, or by whom begot,
An empty sound alone remains of theee,
And its all thy one pretended Votaries‡ shall be—

Mason contended that liberty had been valued for a time, but all that remained of it was an “empty sound” because its “pretended Votaries,” the merchants in New York, prematurely abandoned the cause by withdrawing from the nonimportation agreement before all the duties had been repealed.  He inserted two more lines of commentary about those “pretended Votaries‡.”  Mason accused them of a “sad blunder, never to be mended” and accused them of causing the entire enterprise to fail.  “This one bad step, the contest ended,” he lamented.  Merchants in New York and other cities saw the repeal of most of the duties on imported goods as a victory.  They believed their nonimportation agreement had served its purpose (or at least well enough to return to business and resume trading).  Mason disagreed.  Until Parliament repealed the duties on tea, bringing an end to the boycotts was nothing more than capitulation.  Parliament had not met the terms that stated the nonimportation agreements would remain in effect until all the duties were repealed.  Mason took a harder line than many other colonists, using a newspaper advertisement to express his views to the general public.

October 19

What was advertised in a colonial American newspaper 250 years ago today?

Oct 19 - 10:19:1769 Pennsylvania Gazette
Pennsylvania Gazette (October 19, 1769).

“AMERICAN PAPER HANGINGS, MANUFACTURED in Philadelphia.”

Like many other advertisers, Plunket Fleeson, an upholsterer, launched a “Buy American” campaign in the late 1760s. With increasing frequency, advertisers encouraged their fellow colonists to practice politics in the marketplace as the imperial crisis intensified. The Townshend Act imposed duties on certain imported goods, including glass, lead, paint, tea, and paper. In response, merchants and shopkeepers subscribed to nonimportation agreements, seeking to exert economic pressure on British merchants and suppliers to intervene on their behalf with Parliament. At the same time that nonimportation agreements went into effect, many colonists advocated for “domestic manufactures” as alternatives to imported goods; buying items made in the colonies simultaneously helped to correct a trade imbalance, employed local workers, and made a political statement.

Fleeson joined the chorus of advertisers who encouraged consumers to consider the political ramifications of the purchases they made. In an advertisement in the October 19, 1769, edition of the Pennsylvania Gazette, he promoted “AMERICAN PAPER HANGINGS, MANUFACTURED in Philadelphia.” His paper hangings (or wallpaper) rivaled the products that came from England. He described them as “not inferior to those generally imported, and as low in price.” Although many advertisers made similar arguments about their wares and expected prospective customers to make the right connections to current events on their own, Fleeson explicitly spelled out the stakes for readers of the Pennsylvania Gazette. “[A]s there is a considerable duty imposed on paper hangings imported her,” he explained, “it cannot be doubted, but that every one among us, who wishes prosperity to America, will give a preference to our own manufacturers.” Doing so did not have to be a sacrifice. Fleeson underscored that his paper hangings were “equally good and cheap” compared to imported paper hangings. Purchasing them did not put consumers at a disadvantage. They did not pay more, nor did they acquire inferior merchandise. That being the case, there was no reason not to “give a preference to our own manufacture” and aid the American cause in doing so.

Fleeson also listed a variety of other goods available at his upholstery shop, but devoted half of his advertisement to making a political argument about the meaning associated with the “AMERICAN PAPER HANGINGS” he sold at his shop on Chestnut Street. He was one of many advertisers in the late 1760s and early 1770s who aimed to convince prospective customers that their decisions about consumer goods were imbued with political significance.

**********

For a case study on advertisements for paper hangings in the 1760s through the 1780s, see Carl Robert Keyes, “A Revolution in Advertising: ‘Buy American’ Campaigns in the Late Eighteenth Century,” in Creating Advertising Culture: Beginnings to the 1930s, vol. 1, We Are What We Sell: How Advertising Shapes American Life … And Always Has, ed. Danielle Sarver Coombs and Bob Batchelor (Praeger, 2014), 1-25.

August 7

What was advertised in a colonial American newspaper 250 years ago today?

Aug 7 - 8:7:1769 Pennsylvania Chronicle
Pennsylvania Chronicle (August 7, 1769).

“JOHN MASON, Upholsterer, PRAYS for LIBERTY to inform his friends and customers that he has removed his PROPERTY, to a new built house.”

As the imperial crisis intensified in the late 1760s, newspaper advertisements for consumer goods and services increasingly incorporated political messages intended to sway prospective customers. Many such advertisements underscored the benefits of encouraging “domestic manufactures” to achieve greater self-sufficiency and the virtues of purchasing those locally produced goods. Those advertisements often connected their “Buy American” appeals to faithful adherence to nonimportation agreements adopted to resist Parliament’s attempts to enact new taxes, first via the Stamp Act and later through imposing duties on certain imported goods via the Townshend Acts.

Such advertisements became a genre that deployed similar language and took similar forms. In his attempt to sell mattresses and market his services as an upholsterer, John Mason took an even bolder approach. Like other purveyors of goods and services, he turned to the public prints to inform prospective customers when he moved locations. The language he used, however, had distinct political overtones that certainly resonated with debates taking place in newspapers as well as in taverns, coffeehouses, and the public square. Mason trumpeted that he “PRAYS for LIBERTY to inform his friends and customer that he removed his PROPERTY, to a new built house … where he carries on the Upholstery Business.” The word “PRAYS” appeared in capitals because it was the first word in the body of the advertisement. “LIBERTY” and “PROPERTY,” however, apparently appeared in capitals because Mason specified that they needed appropriate emphasis. The upholsterer invoked two of the most important concepts animating resistance to Parliament.

Readers could hardly have missed the point when they considered “LIBERTY” and “PROPERTY” in combination with the nota bene that Mason appended to his advertisement. “No WONDER that Liberty is the Common Cry,” Mason lectured, “for if it was not the inanimate creation would cry out against us, for the very flowers, they, when deprived of their Liberty, Choose Death Rather, than be Confined in the softest bosom.—Methinks a Moment’s Reflections would Convince those that would Deprive us of our Liberty and property that they are Doing WRONG – for if our Fathers have No Right to Deprive us of our Liberty and property after Twenty-one Years, Certainly out Mother* can have No Right after we have enjoyed it near an Hundred Years. *Mother Country.” In this sermon on liberty, Mason looked to the history of the colonies for guidance and precedents. Parliament could not suddenly impose regulations the colonies after more than a century of allowing them to govern themselves through their own colonial assemblies. Furthermore, the stark choice between liberty and death so was evident that it could be witnessed even in the natural world, as Mason attested in his example of flowers that dies when held too closely, even in the most loving embrace.

At a time when many purveyors of consumer goods and services crafted advertisements that either implicitly or softly invoked politics to influence prospective customers, Mason made a full-throated declaration of his political sentiments. Inserting this editorial into his advertisement allowed him to demonstrate his politics to customers. In addition to adding his voice to the discourse unfolding in the public prints, Mason also intended to encourage customers to support his business because they agreed with his politics and admired his bold stance.

December 15

What was advertised in a colonial American newspaper 250 years ago today?

Dec 15 - 12:15:1767 South-Carolina Gazette and Country Journal
South-Carolina Gazette and Country Journal (December 15, 1767).

“She continues the Upholstery Business with Mr. COLEMAN.”

Rebecca Weyman’s advertisement announcing that “she continues the Upholstery Business” demonstrated what was possible for women participating in the eighteenth-century marketplace, though not necessarily what was probable. Relatively few women placed newspaper advertisements publicizing the goods and services they provided during the colonial era. Of those who did resort to the advertising to promote their business endeavors, most were shopkeepers, seamstresses, milliners and schoolmistresses. Each pursued occupations widely considered appropriate for women. Seamstresses and, especially, milliners might have been considered artisans, but their work depended on skills traditionally associated with women’s labor within the household. Their presence in the marketplace and the public prints did not disrupt prevailing gender expectations.

On occasion, other female artisans ran advertisements, but they were small in number among both the general population and advertisers. Those who did place newspaper advertisements often did so in collaboration with a male relative, supervisor, or partner, perhaps as a means of tamping down apprehensions that they participated in the market in ways that deviated from what was considered appropriate for women. Note that Rebecca Weyman appended her own advertisement to the conclusion of Thomas Coleman’s much lengthier notice. In it, she specified that she “continues the Upholstery Business with Mr. COLEMAN.” For his part, Coleman indicated that he operated the business “At Mr. Edward Weyman’s.” The female upholsterer had both a business partner and a male relation overseeing her work. This gave her additional security to earn a living as an upholsterer by sanctioning her endeavors and shielding her from criticism. In a marketplace dominated by men, Rebecca Weyman mobilized her affiliation with these particular men as a means of giving her more freedom to operate her business, doing her best to transform constraint into opportunity.

Not all female advertisers, however, opted to establish masculine oversight of their business endeavors in their advertisements. An advertisement for a female shopkeeper appeared in the same column of the South-Carolina Gazette and Country Journal, placed by “FRANCES SWALLOW, SOLE-TRADER.” Among the colonies, South Carolina had a fairly unique legal designation for married women who operated businesses independently of their husbands: sole trader. Swallow established her autonomy in the first line of her advertisement, adopting a very different strategy than Weyman. Perhaps Rebecca Weyman believed that allowing Thomas Coleman to do the bulk of the marketing in their joint advertisement allowed her to attract attention for her services without attracting condemnation for her intrusion into the marketplace.

December 14

What was advertised in a colonial American newspaper 250 years ago today?

Dec 14 - 12:14:1767 Pennsylvania Chronicle
Pennsylvania Chronicle (December 14, 1767).

“Webster has had the honour of working, with applause, for several of the nobility and gentry.”

John Webster, an “Upholsterer from London,” knew that establishing his reputation in Philadelphia would help build the clientele for his endeavors in his new location. To that end, he reported in an advertisement in the December 14, 1767, edition of the Pennsylvania Chronicle that he previously “had the honour of working, with applause, for several of the nobility and gentry, both in England and Scotland.” While providing credentials always helped artisans to promote their businesses, Webster probably did not need to reside in Philadelphia very long to realize that even in the largest city in the colonies the residents experienced anxiety about being perceived as backwater provincials by the better sorts in London, the cosmopolitan center of the empire. He depended on potential customers responding to his pledge of “having their work executed in the best and newest taste,” but indicating that he previously served prominent clients testified to his ability to deliver on that promise.

Yet Webster did not want to give the impression that he had experience only on the other side of the Atlantic. In addition, potential customers may have been skeptical about how extensively he had worked with “several of the nobility and gentry” before arriving in the colony. To alleviate such concerns, Webster extended “his most grateful thanks to those good gentlemen and ladies who have been pleased to honour and favour him with their custom, since he came to Philadelphia.” While this could have also been a ploy, the upholsterer implied that he had already attracted local clients satisfied with his work. Webster created the impression that genteel “ladies and gentlemen” sought after his services. Potential customers who had not yet hire him risked being excluded if they did not contact him before he took on too many other projects.

Webster attempted to attract clients to his upholstery business by creating a buzz among the residents of Philadelphia. Even the location of his new shop, “facing the London Coffee-House,” increased his visibility in the city. His report that he previously served “several of the nobility and gentry” in England and Scotland before working for the “good gentlemen and ladies of Philadelphia” suggested his popularity to colonists concerned with demonstrating their taste and status through the goods they acquired. Implicitly playing on those anxieties, he encouraged them to contract his services in order to keep up with their friends and neighbors.

September 6

What was advertised in a colonial American newspaper 250 years ago this week?

Sep 6 - 9:3:1767 New-York Journal
New-York Journal (September 3, 1767).

“BLANCH WHITE, UPHOLSTERER FROM LONDON.”

Colonists lived in an era of intense geographic mobility. In the decade before the Revolution, the flow of immigrants from across the Atlantic accelerated. Even colonists born in North America moved from place to place as they searched for economic opportunities. Many residents of cities and towns up and down the Atlantic coast could not claim to be from the place they now lived. For various reasons, some continued to emphasize their origins even as they became members of new communities.

This was often the case with tailors, cabinetmakers, and other artisans, especially as newcomers attempting to promote their livelihoods in local newspapers. They needed customers, yet determined that maintaining some aspects of their outsider status would effectively attract patrons who were unfamiliar with them and the goods they produced. Artisans who placed advertisements frequently asserted their connections to cosmopolitan centers in Europe. This gave them a certain cachet, suggesting that they made and sold items that were particularly fashionable. In some instances connections to London and other European cities also implied specialized training superior to any undertaken in the colonies.

In the September 3, 1767, edition of the New-York Journal, Blanch White introduced himself to potential customers as an UPHOLSTERER FROM LONDON.” In the same issue, readers also learned of the services of “Charles Le Frou, From PARIS, Perriwig-maker and hair Dresser.” Recent arrivals often used such designations to identify and distinguish themselves, though many advertisements obscured precisely how much time had elapsed since the artisan had lived and worked in London or another cosmopolitan center of fashion and commerce.

White’s advertisement provided some clarification. Even though he pronounced that he was “FROM LONDON,” he also indicated that he “has followed the Business for many Years past in Philadelphia.” Apparently his connection to London was not recent, yet the upholsterer still considered it a selling point worth mentioning to prospective customers. Some advertisers would have been content not to provide additional information about any extended interim between departing London and setting up shop locally, but White sensed an opportunity in acknowledging the time he spent in Philadelphia. Given that he seemed to specialize in martial supplies, he believed that he “must be known to some Gentlemen of the Military in this City.” He extended a direct appeal to former customers and acquaintances that served as an indirect endorsement.

Years after migrating across the Atlantic, Blanch White continued to identify himself as “FROM LONDON,” at least for the purposes of promoting his business in print. Yet he also found value in underscoring the work he had done and the clients he had served for “many Years” in the largest city in the colonies.

July 9

What was advertised in a colonial American newspaper 250 years ago today?

Jul 9 - 7:9:1767 Pennsylvania Gazette
Pennsylvania Gazette (July 9, 1767).

“He finds it necessary to reduce the several Prices of his Work one third Part lower than formerly.”

Upholsterer John Mason placed an advertisement in the Pennsylvania Gazette when he significantly reduced the prices he charged for various services. His method for delivering this information, however, could have used a little refinement. Rather than focus on the deals that benefited prospective customers, Mason offered two other explanations for lowering his fees: “the Stagnation of Business and Scarcity of Cash.” While both of these factors prompted Mason to adjust his prices, neither of them placed customers at the center of Mason’s business model. Overcoming the “Stagnation of Business” was self-serving, hardly a fault for a tradesman trying to make a living but perhaps not the most artful way to frame his motivation fueling the business relationships he hoped to cultivate. He seemed to be saying that current conditions forced him to lower his fees rather than more graciously formulating this as a benefit intended specifically to advantage customers. Acknowledging the “Scarcity of Cash” made a nod toward the concerns of prospective clients. Many may have found themselves in a situation of not being able to afford to hire Mason at the former rates because they did not have access to sufficient cash. The reduced fees made the upholsterer’s services more obtainable.

Still, Mason underplayed the most important appeal in his advertisement. He noted that he had “reduce[d] the several Prices of his Work one third Part lower than formerly.” In other words, he knocked a tremendous 33% off his prices! Mason set about demonstrating this with a list of the fees he now charged for various services. He even encouraged prospective clients to compare “the above Prices with the Upholsterers Bills” (perhaps handbills distributed or posted by competitors), but this called for readers to expend additional effort to confirm a claim that he made only once rather than asserting it repeatedly and with greater force. Mason made his case, presenting a list of fees as evidence to support it, but the overarching message seems to have been overshadowed by the details. Mason may not have presented too much information, but that does not mean that he optimized the marketing potential associated with significant price reductions.

This critique may not be completely fair to an advertiser who operated within the conventions of eighteenth-century marketing practices. After all, his notice displayed a fair amount of innovation that distinguished it from others. However, it lacked other elements designed to attract attention and generate excitement. Mason opted for practical numbers instead of insistent proclamations about price reductions. He opted for substance over style, which may have better served potential customers in the end. Yet that decision demonstrates the chasm between advertising innovations in the eighteenth century and innovations that became standard practices in later centuries.

December 4

What was advertised in a colonial American newspaper 250 years ago today?

dec-4-1241766-pennsylvania-gazette-supplement
Supplement to the Pennsylvania Gazette (December 4, 1766).

“THOMAS HEWES, UPHOLSTERER … Easy Chairs.”

I first began studying advertising in eighteenth-century America shortly after I finished my comprehensive exams in graduate school. During the very early stages of the project I discussed my work with a senior colleague at a reception held during a conference. “Don’t get too enamored of the advertisements with the pictures,” this professor counseled. “Those are certainly quaint, but make sure that you look at other advertisements as well.” In hindsight, I recognize both good and poor advice bound together in that conversation. The professor was certainly correct that the world of eighteenth-century advertising was much more extensive than the relatively few newspaper advertisements that included woodcuts. However, he dismissed those woodcuts too quickly when he implied that they were only of antiquarian, rather than scholarly, interest. Because I wanted to be a serious scholar and I wanted others to take my work seriously, I did not give woodcuts in newspaper advertisements as much attention as they merit.

In recent years, however, my interest in the production of advertising in early America has shifted to encompass visual culture and innovative graphic design much more extensively, partly as a result of my exposure to the conferences and other programs sponsored by the Center for Historic American Visual Culture at the American Antiquarian Society. I have come to realize that woodcuts, like the one depicting a wingback chair in upholsterer Thomas Hewes’s advertisement, have real significance beyond merely being “quaint.”

Hewes’ advertisement appeared in the two-page supplement that accompanied the December 4, 1766, issue of the Pennsylvania Gazette. The contents of the supplement consisted exclusively of advertising, without other sorts of content. This more than doubled the space devoted to advertising for the December 4 edition. Amid all those advertisements, only six included any sort of visual image. The other five all featured a ship, the image produced by a woodcut that would have belonged to the printer. Most printers had a few stock images – ships, houses, slaves – that could be inserted interchangeably into advertisements. Other sorts of images, like Hewes’ chair, were commissioned by particular advertisers and used only in their advertisements. Compared to most other advertisers, Hewes invested additional creativity and expense in creating his advertisement.

The five advertisements with woodcuts of ships all promoted ships departing for Europe and encouraged colonists to book passage. That made Hewes’ advertisement unique in that issue of the Pennsylvania Gazette. It was the only advertisement for consumer goods that mobilized any sort of visual image to attract the attention of readers and make the advertisement more memorable. For anybody glancing through the six pages of the regular issue and its supplement, Hewes’ advertisement would have stood out. While the illustration may appear primitive to modern eyes (and perhaps even relatively crude to colonists familiar with engraved trade cards), that Hewes’ included an image at all amounted to an innovation intended to distinguish his business from others.

The Adverts 250 Project regularly documents the significance of the seemingly innumerable newspaper advertisements that lacked any sort of visual image. However, it’s also necessary to acknowledge the significance of those that di have some sort of “quaint” woodcut, an important aspect of the evolution of advertising in early America.