Woodcut

November 21

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What was advertised in a colonial American newspaper 250 years ago today?

Providence Gazette (November 21, 1772).

“At the Sign of the Greyhound.”

Nathaniel Wheaton sold a “new Assortment of English and India GOODS, of almost every Kind,” as well as “West-India Goods” at his shop on Williams Street in Providence.  In an advertisement that ran in the Providence Gazette for several weeks in November 1772, he thanked his current customers and invited new ones to examine his merchandise, pledging that all of “their Favours will be gratefully acknowledged.”

To help readers find his shop, Wheaton noted that “the Sign of the Greyhound” marked his location.  A woodcut depicting a greyhound, sitting on its haunches and its town hanging out, adorned the advertisement.  The image may have replicated the shop sign.  Even if Wheaton had not been that precise, he still resorted to some sort of depiction of a greyhound to encourage consumers to associate that emblem with his shop.  Like other eighteenth-century newspaper advertisers who published images that correlated to their shop signs, Wheaton devised a marketing strategy that could be considered a precursor to branding his business.  The woodcut encouraged readers to associate the greyhound with Wheaton’s shop, especially when considered in combination with the sign displayed on Williams Street.

The image also directed attention to Wheaton’s advertisement.  Except for the image of a lion and a unicorn flanking a crown and shield in the masthead, the greyhound was the only image in the November 21 edition of the Providence Gazette.  Readers could not have missed it!  Wheaton incurred additional expense to achieve that.  He paid for the woodcut and he paid for the space it occupied.  Newspaper advertisers paid for the amount of space required to publish their notices, not by the number of words, so both larger fonts and images increased the costs of running advertisements.  Wheaton devoted as much space to the image of the greyhound as he did to advertising copy, doubling the price of his notice compared to what he would have paid if he published solely text.  He likely considered the additional expense a good investment to distinguish his advertisement from those of his competitors.  After all, it was not the first time he incorporated the image into his newspaper advertisements.

An imperfection in the copy of the November 21 edition available in the database of digitized images of eighteenth-century newspapers mars the image of the greyhound in Wheaton’s advertisement. This image shows the woodcut without flaws. (Providence Gazette, November 14, 1772).

November 16

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What was advertised in a colonial American newspaper 250 years ago today?

New-York Gazette and Weekly Mercury (November 16, 1772).

“SABLE MUFFS and TIPPETS.”

When furrier John Siemon returned to New York in the fall of 1772 after having spent several months in Philadelphia, he announced his intention to remain in the busy port with advertisements in at least two of the newspapers published in the city, the New-York Gazette and Weekly Mercury and the New-York Journal.  (Unfortunately, the New-York Gazette or Weekly Post-Boy has not been digitized, making it more difficult to consult.)  Siemon inserted identical copy in the two newspapers, first in the New-York Journal on November 12 and then in the New-York Gazette and Weekly Mercury on November 16, though the compositors in the printing offices made different decisions about the format of the advertisements.

Despite differences in typography, an image of a muff remained consistent between the notices in the two newspapers.  Upon examining digitized editions, it appears that the printing offices used the same woodcut, which suggests that Siemon invested some effort in having that woodcut transferred from one printing office to another.  He may have retrieved it himself or he may have made arrangements with the printers to exchange the woodcut.  Either way, that resulted in some inconvenience in the printing offices, especially since Siemon’s advertisement did not run just once.  A notation at the end of his advertisement in the New-York Journal, “58 61,” indicated that he initially intended for the notice to run for four issues from “NUMB. 1558” to “NUMB. 1561.”  According to the colophon, that was a standard run: “Five Shillings, four Weeks.”  The advertisement actually ended up running through “NUMB. 1566” on January 7, 1773, for a total of nine consecutive weeks.

In contrast, Siemon’s advertisement ran in the New-York Gazette and Weekly Mercury for only four weeks.  After the first insertion, the image no longer adorned the notice, further evidence that the furrier commissioned only one woodcut rather than one for each printing office.  After moving the woodcut from one printing office to another and back again when he first began advertising in the middle of November, Siemon may have decided that he did not have the time to oversee its transfer between the two printing offices twice a week.  Alternately, the printers may have made the decision for the furrier, determining that adding and removing the woodcut from type already set each time they took an issue to press was too disruptive.  Either way, Siemon likely had to settle for the image appearing in his advertisements the first time they ran in each newspaper, drawing attention to his return to New York, and then continuing in only one of those publications.

November 12

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What was advertised in a colonial American newspaper 250 years ago today?

New-York Journal (November 12, 1772).

“SABLE Muffs and Tippets.”

When John Siemon, a furrier from London, first arrived in New York in December 1771, he took to the pages of the New-York Gazette and Weekly Mercury and the New-York Journal to alert prospective customers that he “he intends to stay a month only in this city,” encouraging them to acquire “the newest fashion’d MUFFS, TIPPETS, ERMINE and lining for CLOAKS … now worn by the LADIES at the Court of Great-Britain” before he departed.  Siemon advised that any milliners and shopkeepers “who intend to purchase after his departure” could direct their orders to “FROMBERGER and SIEMON, in Second Street, Philadelphia.”  Rather than arriving in New York directly from London, the furrier had first visited the Quaker City, established a partnership, and set up shop there.

Siemon returned to New York in November 1772.  In an advertisement in the New-York Journal, he once again described himself as “from London,” but this time added “but last from Philadelphia.”  He reminded readers that he “resided in this city last winter,” but this time he “intends settling here.”  He brought with him “to this Metropolis” a “General Assortment of FURS.”  Siemon hoped to resume relationships with his clients “who were pleased to favour him with their custom last winter,” pledging that new and returning clients “may depend on” him producing muffs, tippets, and other items “agreeable to fashion and beauty, on reasonable terms.”  He did not mention an ongoing partnership with Fromberger; instead, the headline promoted “JOHN SIEMON, and Co.”

Some readers may have remembered Siemon, his furs, and his advertisements.  They may have also remembered that an image adorned some of his advertisements.  When Siemon ventured to New York, he took with him a woodcut depicting a muff and tippet that previously appeared in advertisements in the Pennsylvania Chronicle and the Pennsylvania Journal.  Siemon’s new advertisement included an image of the muff, but the woodcut appears to have been modified to remove the tippet.  Eliminating the long scarf significantly reduced the size of the woodcut.  Since advertisers paid by the amount of space their notices occupied rather than the number of words, that reduced how much Siemon spent to publish his new advertisement.  Reducing costs, however, may not have been the reason for reworking the image.  Upon dissolving his partnership with Fromberger, he may have considered the updated image an appropriate representation of his new enterprise.  On the other hand, Siemon may not have put that much thought into the image if the woodcut simply broke and he could salvage only the portion depicting the muff.

Whatever the explanation, the woodcut experienced greater mobility than others created for advertisers, transported back and forth between two cities and delivered to three different printing offices.  Including the image in his advertisements required some effort by Siemon, suggesting that he considered it effective in attracting clients.

November 5

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What was advertised in a colonial American newspaper 250 years ago today?

New-York Journal (November 5, 1772).

“At the Sign of the Three Sugar Loaves.”

In the fall of 1772, George Webster joined the ranks of advertisers who attempted to draw more attention to their newspaper notices by adorning them with images related to their businesses.  Webster, a grocer, kept shop “at the Sign of the Three Sugar Loaves” on Leary Street in New York.  A woodcut at the top of his advertisement depicted three sugar loaves, a tall one flanked by two shorter ones.  The border that surrounded the sugar loaves suggested that the image replicated the sign that marked Webster’s location.

Throughout the colonies, entrepreneurs who placed notices in the public prints sometimes incorporated such images, but the use of images in advertising was not a standard practice in the eighteenth century.  When Webster first used his woodcut in the October 22, 1772, edition of the New-York Journal, it was one of only three images in the entire issue.  As usual, the lion and unicorn appeared on either side of a crown and shield in the masthead on the front page.  Elsewhere in the issue, Nesbitt Deane’s image of a tricorn hat and a banner bearing his name once again took up as much space as the copy it introduced.  The remainder of the advertisements, dozens of them filling fourteen of the eighteen columns in the six-page edition, did not have images.  That made Webster’s new woodcut depicting the Sign of the Three Sugar Loaves all the more noteworthy.  The following week, his image appeared once again, this time alongside two advertisements that featured stock images provided by the printer, a ship and a horse.  Neither of those familiar images had been crested for the exclusive use of any particular advertisers.  Webster, like Deane, made an additional investment in commissioning a woodcut so closely associated with some aspect of his own business.

By the time that the image appeared in Webster’s advertisement on November 5, regular readers would have recognized it, but that does not necessarily mean that the novelty had dissipated.  The woodcut continued to distinguish the grocer’s notice from the dozens of others in that issue.  Its mere presence demanded attention on a page that lacked other images in a newspaper with only four other images distributed across all six pages.  It likely also helped to encourage brand recognition as both image and text in Webster’s newspaper advertisement corresponded to the sign that colonizers glimpsed when they visited or passed his shop.

October 8

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What was advertised in a colonial American newspaper 250 years ago today?

South-Carolina Gazette (October 8, 1772).

“Dancing & Fencing.”

“THE Sign of the Golden Cup.”

Mr. Pike, a dancing master, and Thomas You, a silversmith, both used graphic design to draw attention to their advertisements in the October 8, 1772, edition of the South-Carolina Gazette, yet they adopted different strategies.  Their notices further enlivened the vibrant graphic design that distinguished notices in that newspaper from those that ran in other newspapers.  The compositor for the South-Carolina Gazette made liberal use of varying font sizes, gothic letters for headlines, italics, capitals, and centering compared to advertisements.

That being the case, the compositor may have played a role in how the dancing master used decorative type and gothic letters to enhance his advertisement.  The headline “Dancing & Fencing” in gothic letters appeared inside a border composed of printing ornaments above a secondary headline spread over three lines: “PIKE’s ACADEMY / for / DANCING and FENCING.”  Compare that to a similar advertisement that Pike ran in the South-Carolina Gazette and Country Journal.  It featured only one headline, “DANCING and FENCING,” that did not appear in a different font than the rest of the advertisement.  Rather than constituting a second headline, “PIKE’s ACADEMY, for FENCING and DANCING” was part of the first paragraph of the advertisement.  An enterprising compositor at the South-Carolina Gazette likely played a significant role in designing Pike’s advertisement, perhaps assuming full responsibility without consulting the advertiser.

On the other hand, You almost certainly submitted instructions to include a woodcut depicting a golden cup in his advertisement for the merchandise he sold at the “Sign of the Golden Cup.”  You commissioned that image for his exclusive use, previously inserting it in advertisements in the South-Carolina Gazette in December 1770 and March 1771.  Prior to that, he used a different woodcut in his advertisements in December 1766 and July 1767.  He seemed to appreciate that images helped draw attention to his notices.  How to incorporate an image, however, he may have left to the discretion of the compositor.  In 1772, his woodcut of a golden cup appeared in the center, flanked by his name and location.  In earlier advertisements, it was positioned to the left, replicating the placement of woodcuts depicting ships that adorned other notices.

The advertisements in the South-Carolina Gazette testify to both the role of the compositor in designing newspaper notices and occasional collaboration or consultation involving both the compositor and the advertiser.  Rather than dense text, variations abounded in the advertisements in that newspaper, making the South-Carolina Gazette one of the most visually interesting publications in the early 1770s.

October 7

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What was advertised in a colonial American newspaper 250 years ago today?

Pennsylvania Gazette (October 7, 1772).

“A quantity of large and small silver work.”

In the fall of 1772, John David, a goldsmith, placed an advertisement in the Pennsylvania Gazette to inform prospective customers that he recently imported a “Neat Assortment of JEWELLERY” as well as a “quantity of large and small silver work.”  To entice consumers, he provided some examples of the merchandise they would find at his shop near the drawbridge in Philadelphia.  The jewelry included “paste shoe, knee, and stock buckles,” “stone sleeve buttons, of different sorts,” “coral necklaces,” and “very neat paste and garnet ear-rings.”  He also stocked “silver soup and punch ladles” and “silver and steel top thimbles.”  He pledged that he would “dispose of” these goods “on the most reasonable terms,” leveraging price in his effort to attract customers.

David used an image of a silver teapot to draw attention to his advertisement.  The woodcut occupied the left third of his advertisement, accounting for a significant amount of the space he purchased in the Pennsylvania Gazette.  In addition, he paid to have the image created for his exclusive use.  Of the fifty advertisements that appeared in the October 7, 1772, edition of the Pennsylvania Gazette, only four included an image. The other three all used stock images of ships at sea in notices that alerted readers of ships seeking passengers and freight.  The printer provided those familiar woodcuts.  In contrast, David made special arrangements for his image of a silver teapot, an image not previously seen by readers of any of the newspapers published in Philadelphia at the time.

The use of images commissioned by advertisers seemed to accelerate in the early 1770s compared to their frequency in newspapers in earlier decades, especially newspapers published in major urban ports.  As merchants, shopkeepers, artisans, and other entrepreneurs experimented with marketing strategies, a growing number decided that visual images augmented advertising copy.  Images commissioned for the exclusive use of particular advertisers remained relatively rare compared to the overall volume of advertising, due to both cost and technology, yet more advertisers decided to enhance their newspaper notices with images that replicated their shop signs or depicted their merchandise.

September 19

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What was advertised in a colonial American newspaper 250 years ago today?

Pennsylvania Chronicle (September 19, 1772).

“John White Stay-Maker”

Most advertisements in colonial newspapers did not feature visual images.  Those that did usually used a stock image provided by the printer, such as a ship at sea, a house, a horse, or an enslaved person liberating him- or herself by “running away.”  Never elaborate in the scenes depicted, such woodcuts could be used interchangeably in advertisements from the appropriate genre.  Some advertisers, however, commissioned images that corresponded to the shop signs that marked their locations or illustrated one or more items available among their merchandise.

Two such images appeared in the September 19, 1772, edition of the Pennsylvania Chronicle.  Robert Parrish once again included the woodcut depicting a “ROLLING SCREEN for cleaning wheat and flaxseed,” though he did not use a woodcut showing a Dutch fan or winnowing fan that previously appeared with it.  Perhaps he did not wish to incur the additional cost for the space required to publish two images.

Another entrepreneur, John White, adorned his advertisement with an image of a stay (or corset), the body and holes for the laces on the left and the laces on the right.  Readers would have easily recognized the garment and understood how it wrapped around and confined a woman’s body.  The words “John White” and “Stay-Maker” flanked the woodcut.  The image accounted for half of the space for the advertisement, an additional investment beyond commissioning the woodcut.

White announced that he moved to a new location where “he continues to carry on the Staymaking business as usual.”  He pledged “to give satisfaction to all who are pleased to employ him.”  He also solicited “orders from any part of the country” and provided mail order service, making it unnecessary for clients to visit his shop in Philadelphia.  Instead, they could send measurements “in respect to length and width of the Stays, both at top and bottom exactly, in the front and back parts.”  The staymaker warned that customers who opted for that convenience needed to pay postage for such orders rather than expect him to take responsibility for those charges.

The woodcut depicting a stay, its body and laces unfurled, almost certainly helped attract attention to White’s advertisement, his promises of customer satisfaction, and the option for submitting orders “by the post” rather than visiting his shop.  Most newspaper advertisements consisted solely of text, so any sort of visual enhancement, whether an image or decorative type, distinguished those advertisements from others.

August 29

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What was advertised in a colonial American newspaper 250 years ago today?

Pennsylvania Chronicle (August 29, 1772).

“FISHING TACKLE.”

In the summer of 1772, Edward Pole advertised a variety of items available at his ‘GROCERY STORE” on Second Street in Philadelphia.  He stocked everything from wines and spirits to “Green, Bohea, Hyson and Soushong Teas” to raisins and currants to “mustard by the bottle or pound.”  Pole declared that he would “make it his chief study to merit” repeat business from his customers “by keeping an assortment of the best kind of GROCERIES, and selling them on the lowest terms.”

Yet Pole stocked more than just groceries.  His advertisement in the August 29 edition of the Pennsylvania Chronicle included a headline and a section for “FISHING TACKLE” available at his store.  He carried “Fishing rods of various kinds, best Kerby and common hooks of all sizes, artificial flies, wheels, silk, hair and trolling lines of every kind, length, and goodness, deapseas, casting, minnow and scoop nets,” and other items.  He made a point of promoting “the best kind of fish-hooks, made by ROBERT CARTER, fish-hook maker, from Trenton.”

Over time, the appropriately-named Pole placed greater emphasis on marketing fishing supplies.  By 1781, he was placing advertisements for “Fishing Tackle Of all sorts, for Use of either SEA or RIVER, MADE AND SOLD By Edward Pole” in the Pennsylvania Packet.  A woodcut depicting a fish adorned those advertisements.  He commissioned another woodcut of a fish, this one with a decorative border, for his advertisement in the March 24, 1784, edition of the Freeman’s Journal.  At about the same time, he made an even greater investment in a trade card engraved by David Tew.  A vignette showed two gentlemen fishing, one with a rod and the other with a net.  The gentleman with the rod had a fish on the line, its head sticking out of the water, while the gentleman with the net attempted to scoop up the fish.  An ornate cartouche, complete with fishing lures dangling from it, served as border for the text of this advertisement.  The trade card announced that “Edward Pole FISHING-TACKLE-MAKER … es & Sells all kinds of the best Fishing Tackle for the use of either Sea or River.”  A nota bene advised, “Gentlemen going on parties, in the Fishing Way Compleatly fitted out on the shortest notice.”

The headline for “FISHING TACKLE” in Pole’s newspaper advertisements published in 1772 foreshadowed the more extensive marketing efforts he launched in the 1780s.  He further enhanced newspaper notices with visual images as he increasingly specialized in fishing supplies.  He also distributed an engraved trade card that featured images that rivaled any on the hundreds of trade cards distributed in London in the eighteenth century, making his business all the more memorable to the gentlemen he aimed to serve.

Edward Pole, Trade Card, engraved by David Tew (Philadelphia, 1780s). Courtesy Historical Society of Pennsylvania.

August 19

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What was advertised in a colonial American newspaper 250 years ago today?

Pennsylvania Gazette (August 19, 1772).

“The FULLING BUSINESS, in all its branches.”

Joseph Blackwood operated a fulling mill “on the north branch of Raccoon creek, in the county of Gloucester,” New Jersey, in the early 1770s.  In an effort to cultivate customers for this enterprise, he ran an advertisement in the August 19, 1772, edition of the Pennsylvania Gazette.  Blackwood confidently informed readers that he pursued “the FULLING BUSINESS, in all its branches, in as extensive a manner and at as cheap rates, as at any Mill in New-Jersey or Pennsylvania.”

To convince prospective customers that was the case, the fuller declared that he possessed “all necessary tools and conveniences” for processing any cloth delivered to him.  In addition, he was able to operate the mill throughout the year because it had been “so commodiously constructed, with all the works inclosed in a large stone house, in order to avoid being retarded in the winter season.”  Blackwood believed that the equipment combined with his skill and experience would result in customers “having their cloth dressed in the neatest and best manner, and with the greatest expedition.”  He promised quality as well as a quick turnaround on his services.  Blackwood also made it convenient for prospective customers to hire him by establishing a network of local agents in several towns in New Jersey.  Those associates collected “CLOTH for the Mill” and instructions.  The fuller visited each local agent once a week to collect cloth for new orders and deliver processed cloth.

Blackwood made a variety of appeals, yet he did not rely on advertising copy alone.  A woodcut depicting equipment at the fulling mill occupied nearly half the space he purchased in the Pennsylvania Gazette, making his advertisement the only one adorned with an image not supplied by the printers.  Throughout the remainder of the issue, only two other images appeared, the ornate shield with three balls, the crest of the Penn family, in the masthead and a vessel at sea, a stock image, in an advertisement for a ship departing for South Carolina.  The image of the equipment at the fulling mill likely caught the attention of readers, further enhancing an advertisement that incorporated a variety of marketing strategies.  The woodcut encouraged readers to learn about Blackwood’s low prices, speedy service, notable equipment, and network of local associates.  The image likely prompted some readers to examine the dense text in the fuller’s advertisement more closely than they would have without an image to engage their curiosity.

August 12

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What was advertised in a colonial American newspaper 250 years ago today?

Pennsylvania Gazette (August 12, 1772).

“He proposes to affix his Name on the Heads of all his Bolts, rolling Screens, and Fans.”

In the summer of 1772, John Sellers of Darby placed advertisements promoting “VARIOUS Kinds of Wire Work” in the Pennsylvania Gazette.  He made and sold “rolling Screens for cleaning Wheat,” “rolling Screens for cleaning Flaxseed from the yellow or wild Seed,” “small Bolts for separating the Cockle from the Flaxseed,” and “common Dutch Fans” for separating wheat from chaff.

Sellers presented a variety of reasons that readers in need of any of those devices should purchase them from him.  He promised that customers who “favour him with their Orders, may depend on their Work being done with Care,” reiterating a description of his products as “made in the neatest and best Manner.”  He also offered a guarantee, stating that “the Work [is] Warranted.  Furthermore, Sellers drew on long experience as an artisan who met the expectations of his clients.  He was “not pretending to perform that which he has not, in a great Number of Instance, given the utmost Satisfaction.”  Over time, he made “upwards of 50 rolling Screens for Wheat, and upwards of 70 for Flaxseed,” establishing his reputation.

Sellers did not expect prospective customers to visit his workshop in Darby, six miles away from Philadelphia, to examine his products or purchase them.  Instead, “for the Conveniency of his Customers,” he arranged to have them on display “in Plumsted’s Stores, in Philadelphia.”  Sellers instructed to customers to ask for John Brown to handle sales.  For those who wished to confer with the artisan directly, he advised that he “attends generally twice a Week, in Philadelphia.”  Anyone interested in contacting him directly could do so by “leaving a Line at the Conestogoe Waggon, in Market-street, or sending by the Post.”

To attract notice to the various appeals he deployed in the copy of his advertisement, Sellers adorned it with a woodcut depicting one of the rolling screens he constructed.  He commissioned that image at least five years earlier, having included it in an advertisement that ran in the Pennsylvania Gazette in September 1767.  Just as sellers aimed to make his newspaper notice distinctive, he also marked the items he made in his workshop.  He informed his customers that he “affix[ed] his Name on the Heads of all his Bolts, rolling Screens, and Fans.”  That demonstrated pride in his craft while also marketing his products every time someone encountered his name on this equipment after it left his workshop. Sellers did not limit his marketing strategy to describing his products.  Instead, he used distinctive marks to draw attention, both an image in his newspaper advertisement and his name branding his bolts, screens, and fans.